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Showing posts with label designer of the week. Show all posts
Showing posts with label designer of the week. Show all posts

Sunday, July 1, 2012

Designer of the Week: Edith Head


Which single female has won the most Academy Awards? Was one of Hollywood's leading costume designers in the 20th century? Was known for her dark glasses? Was only 5' 1 1/2"?

If you said Edith Head, then you are right.

Born Edith Claire Posener in 1897 she was the daughter of Max Posener and Anna Levy. Her father was a naturalized American citizen from Prussia and her mother was born in Missouri to an Austrian father and Bavarian mother. It is unknown whether Max and Anna where ever married but in1905 Anna married mining engineer Frank Spare. They passed Edith off as their mutual child. The family moved frequently as Spare's jobs moved. Frank was Catholic and therefore Edith became one as well.


In 1919 Edith received a bachelor of arts degree in letters and sciences with honors in French from the University of California, Berkeley and in1920 she received a master of arts degree in romance languages from Stanford University. After working for a year substitute teaching French at the Bishop's School in La Jolla she took a position teaching French for the Hollywood School for Girls. Wanting a higher salary she also told the school that she could teach art, even though she had only briefly studied it in high school. 


She decided to take evening art classes at the Chouinard Art College to improve her drawing skills. On July 25, 1923 she married Charles Head the brother of one of her classmates. This marriage ended in divorce in 1936 after several years of separation. Although she continued to be known as Edith Head until her death.


In 1924, without any costuming experience, Head was hired as a costume sketch artist at Paramount Pictures in the costume department. She later said that she had borrowed another student's sketches for the job interview. 







She began designing for silent film starting with The Wanderer in 1925 and by the 1930s she had astablished herself as one of Hollywood's leading costume designers. She worked at Paramount for 43 years designing  movies. On March 27, 1967 she went over to Universal Pictures where she remained until her death in 1981 after designing her last movie Dead Men Don't Wear Plaid which was released after her death.

On September 8, 1940 Edith married again to set designer Wiard Ihnen. This marriage lasted until his death in 1979.

Throughout her long career she worked on over 500 movies. Some of the most well known being Rear Window, The Sting, Vertigo, Sunset Boulevard, and Roman Holiday.  She was nominated for 35 Oscars, receiving 8 of them. 


Those being:

Oscar for Best Costume Design 1950 (Black & White) for The Heiress
Oscar for Best Costume Design 1951 (Black & White) for All About Eve
Oscar for Best Costume Design 1951 (Color) for Samson and Delilah
Oscar for Best Costume Design 1952 (Black & White) for A Place in the Sun
Oscar for Best Costume Design 1954 (Black & White) for Roman Holiday
Oscar for Best Costume Design 1955 (Black & White) for Sabrina
Oscar for Best Costume Design 1961 (Black & White) for The Facts of Life
Oscar for Best Costume Design 1973 for The Sting


Bette Davis in All About Eve (1951)


Elizabeth Taylor in A Place in the Sun (1952)

Head was known for her low-key working style and usually would consult with the female stars with whom she worked. This meant she soon became a favorite for many of the leading female stars of the 40s and 50s. She was often "lent out" to other studios on the request of female stars. 

Gail Patrick in Her Husband Lies (1937)

Barbara Stanwick in Ball of Fire (1941)

Among the actresses Edith Head designed for were:

Mae West, Barbara Stanwyck, Ginger Rogers, Ingrid Bergman, Dorthy Lamour, Betty Huton, Loretta Young, Bette Davis, Olivia de Havilland, Hedy Lemarr, Gloria Swanson, Elizabeth Taylor, Joan Fontaine, Aubrey Hepburn, Grace Kelly, Rosemary Clooney, Doris Day, Natalie Wood, and Katherine Hepburn.

Dorothy Lamour in Jungle Princess (1936)

Grace Kelly in To Catch a Thief (1955)

Audrey Hepburn in Roman Holiday (1953)

Barbara Stanwick in The Lady Eve (1941)

Despite being a favorite among many stars Head still had those who did not like to work with her. Most notably Claudette Colbert. Head also had the reputation for taking credit for others work. This was rather easy in the era of studio-dominated film production when a department head commonly took credit for the designs from his or her department. 

Claudette Colbert in Zaza (1939)

Edith Head died  from myelofibrosis on October 24, 1981, four days before her 84th birthday.

Some random facts about Mrs. Edith Head.

A USA 37¢ commemorative postage stamp was issued in 2003, celebrating American Filmmaking: Behind the Scenes with a picture of Head working on a dress.


Her trademark sunglasses were really blue lensed glasses. Looking through blue glass was a common trick of costumers in the Black and White ere to get a sense of how the color would photograph. Edith had the glasses made special for her.

Edith Head is interred at Forest Lawn, Glendale, California, USA, in the Cathedral Slope section, plot #1675.
Many viewers of the 2004 film The Incredibles felt that the personality and mannerisms of the superhero costume designer Edna Mode was a colorful caricature of Edith Head. Edna Mode's sense of style, her assertive no-nonsense character and iconic round glasses were more then likely a homage to Head. However the film's director Brad Bird has neither confirmed or denied this.


Some of my favorite Edith Head quotes:
"Your dress should be tight enough to show you are a woman, yet loose enough to show you are a lady."

Anna May Wong in Dangerous to Know (1938)
"What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen he's become a different person."

Mary Martin in Love Thy Neighbor (1942)

"You can lead a horse to water and you can even make it drink, but you can't make actresses wear what they don't want to wear."

Hedy Lamarr in The Strange Woman (1946)

Sketch to dress with Grace Kelly.

There you have it, a brief history of Edith Head the Hollywood designer.

Toodles

Sunday, February 13, 2011

Designer of the week: Jean Desses

Jean Dessès was born (Jean Dimitre Verginie), in Alexandria, Egypt in 1904. His parents were both Greek. Jean Dessès originally studied law, but soon left and went to work for Maison Jane, a Parisian couture. In 1937, Desses opened his own couture salon in Paris.

After World War II he did extensive travel around the world. His work was influenced by his travels, creating draped evening gowns in chiffon, embroidered dresses, sheath dresses with tight jackets and flowing skirts.
He was endlessly inspired by the long and flowing drapery of ancient Greece and Egypt, where he was born; channeling that inspiration into ingeniously constructed chiffon gowns in soft colors.
His designs were popular with European royalty such as the Queen and royal Princesses of Greece and the Duchess of Windsor.
Dessés designed a whole wardrobe for Queen Frederika of Greece for her visit to the U.S. in 1958.
On his first visit to the U.S. just over a year after the Queen’s visit, Dessés won Life magazine’s “Gown of the Year Award.”
In 1962, he designed the wedding gown worn by Princess Sophia of Greece for her marriage to future King Juan Carlos of Spain.
Evening gowns were Dessés’s forté. He designed beautiful draped chiffon gowns in soft colors that were meant to make the women who wore them look like classical goddesses.

In 1963, Dessés retired to Greece where he ran a small boutique. Jean Dessés passed away in Athens in 1970.













Jean Dessès's dresses are as popular today as they were when he first designed them.

In 2001 Renee Zellweger wore this Jean Desses yellow chiffon to the Oscars.


In 2006 Jennifer Lopaz wore this Jean Desses green chiffon gown to the Oscars

Kristin Davis wore this Jean Desses pink chiffon gown.
A more detailed view of the gown.


I love Jean Desses contribution to the world of haute couture.